The Tallis Scholars, Peter Phillips's 'Tallis: Gaude Gloriosa - 3. Gaude, Concivis in Caelis Sanctorum' had a release date set for October 1, 1985. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Thomas Tallis - Spem in Alium". In this album, this song's track order is #16. Tallis: Gaude Gloriosa - 3. Gaude, Concivis in Caelis Sanctorum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tallis: Gaude Gloriosa - 3. Gaude, Concivis in Caelis Sanctorum by The Tallis Scholars, Peter Phillips having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: Lamentations of Jeremiah 2 - 1. De lamentatione Jeremiae prophetae | Thomas Tallis, The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 131 BPM | ||
Rachmaninov: Vespers, Op. 37: VI. Bogoroditse Devo | Sergei Rachmaninoff, Tõnu Kaljuste, Nils Högman, Per Björsund, Swedish Radio Choir | A Major | 3 | 11B | 106 BPM | ||
Psalm 10 "Why Standest Thou So Far Off, O Lord?" | Harold Darke, Exeter Cathedral Choir, Paul Morgan, Andrew Millington | D Major | 1 | 10B | 130 BPM | ||
Gabriel's Message | Traditional, Lincoln Cathedral Choir, Colin Walsh | B♭ Major | 7 | 6B | 115 BPM | ||
Missa Assumpta est Maria: Kyrie | Giovanni Pierluigi da Palestrina, The Sixteen | B♭ Major | 1 | 6B | 81 BPM | ||
Adam Lay Ybounden | The Sixteen | D Major | 2 | 10B | 0 BPM | ||
Byrd: Sing Joyfully Unto God | William Byrd, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 111 BPM | ||
Tallis: Magnificat (4vv) - 5. Suscepit Israel puerum suum | Thomas Tallis, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 75 BPM | ||
Byrd: Mass for Five Voices - 04. Credo | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Minor | 2 | 1A | 81 BPM | ||
Hosanna to the son of David | Thomas Weelkes, Winchester Cathedral Choir, Andrew Lumsden | B Minor | 2 | 10A | 87 BPM |