"Missa Assumpta est Maria: Kyrie" by Giovanni Pierluigi da Palestrina, The Sixteen had its release date on May 31, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Palestrina, Vol. 1". In this album, this song's track order is #3. Missa Assumpta est Maria: Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Assumpta est Maria: Kyrie by Giovanni Pierluigi da Palestrina, The Sixteen having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah: Part 2, Hallelujah! (Chorus) | The Sixteen | D♭ Major | 4 | 3B | 105 BPM | ||
Crudelis Herodes | Christendom College Choir | F Major | 1 | 7B | 84 BPM | ||
Tallis: Ave, Dei patris filia - 3. Ave, Aeternae charitatis filia desideratissima | Thomas Tallis, Peter Phillips, The Tallis Scholars | F Minor | 1 | 4A | 85 BPM | ||
Love Divine ("Blaenwern") (Royal duty) | The Choir Of Westminster Abbey, London Brass, Martin Neary, Iain Simcock, Martin Baker | G Major | 1 | 9B | 136 BPM | ||
Let all mortal flesh keep silence - 1974 Remastered Version | Edward Bairstow, Choir of King's College, Cambridge, Sir David Willcocks | F♯ Minor | 1 | 11A | 78 BPM | ||
Holst: In the Bleak Midwinter (2008 Version) | Gustav Holst, Choir of King's College, Cambridge, Stephen Cleobury | F Major | 0 | 7B | 79 BPM | ||
Ave Maria | Robert Parsons, The Sixteen, Harry Christophers | A♭ Major | 1 | 4B | 87 BPM | ||
Vespers of 1610: Pulchra es | Claudio Monteverdi, Grace Davidson, Charlotte Mobs, Harry Christophers, The Sixteen | G Major | 0 | 9B | 87 BPM | ||
St. Thomas "The Advent of Our God" | Aaron Williams, Wakefield Cathedral Choir, Louise Marsh, Jonathan Bielby, Unknown Artist | F Major | 1 | 7B | 87 BPM | ||
Heyr, himna smiður | Härlanda Chamber Choir, David Molin | F Minor | 1 | 4A | 71 BPM |