"Love Divine ("Blaenwern") (Royal duty)" by The Choir Of Westminster Abbey, London Brass, Martin Neary, Iain Simcock, Martin Baker was released on May 8, 2012. The duration of Love Divine ("Blaenwern") (Royal duty) is about 3 minutes long, at 3:29. Based on our data, "Love Divine ("Blaenwern") (Royal duty)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "The Queen's Diamond Jubilee - Royal Music from Westminster Abbey". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Love Divine ("Blaenwern") (Royal duty)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Love Divine ("Blaenwern") (Royal duty) by The Choir Of Westminster Abbey, London Brass, Martin Neary, Iain Simcock, Martin Baker having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Father, We Thank Thee | The Cathedral Singers | C Major | 3 | 8B | 85 BPM | ||
Bogoróditse Dyevo | Arvo Pärt, Choir of King's College, Cambridge, Stephen Cleobury | A Major | 1 | 11B | 132 BPM | ||
All my hope | Hubert Parry, St. Paul's Cathedral Choir, Malcolm Archer | B♭ Major | 2 | 6B | 89 BPM | ||
Let all the world in every corner sing (Luckington) | Basil Harwood, York Minster Choir, Philip Moore | E♭ Major | 2 | 5B | 111 BPM | ||
O For The Wings of a Dove | Felix Mendelssohn, The Choirboys | G Major | 2 | 9B | 79 BPM | ||
Make Me A Channel of Your Peace | All Angels | D Major | 2 | 10B | 79 BPM | ||
Gloria: I. [Allegro vivace] | John Rutter, Choir of King's College, Cambridge, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber, City Of Birmingham Symphony Orchestra, Jacqueline Hartley, Stephen Cleobury | B♭ Major | 1 | 6B | 152 BPM | ||
Verleih uns Frieden gnädiglich | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A♭ Major | 2 | 4B | 87 BPM | ||
Lully, Lulla Lullay | Philip Stopford, The Ecclesium Choir | F Minor | 1 | 4A | 89 BPM | ||
Let My Prayer Come Up | William Henry Harris, Martin Neary, The Choir Of Westminster Abbey, Martin Baker | C Minor | 0 | 5A | 81 BPM |
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