Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris's 'Verleih uns Frieden gnädiglich' came out on November 7, 2011. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, Accentus, Laurence Equilbey's "Mendelsohn: Christus" album is number 1 out of 16. On top of that, France appears to be the country where this track was created. Verleih uns Frieden gnädiglich is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Verleih uns Frieden gnädiglich by Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Tune "The Cebell": Trumpet Tune "The Cebell", Z697 | Henry Purcell, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | D Major | 1 | 10B | 120 BPM | ||
Purcell: Rejoice in the Lord Alway, Z. 49 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Nicholas Hayes, Andrew King, Michael Cockerham, Francis Grier, Academy of St. Martin in the Fields | B Major | 2 | 1B | 82 BPM | ||
Tallis: If Ye Love Me | Thomas Tallis, Choir of King's College, Cambridge, Philip Ledger | D Major | 1 | 10B | 135 BPM | ||
Messiah / Part 1: "Behold, a virgin shall conceive...O thou that tellest good tidings" | George Frideric Handel, Anna Reynolds, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 83 BPM | ||
Lo, He comes with Clouds Descending | Charles Wesley, Salisbury Cathedral Choir, Simon Lole | A♭ Major | 3 | 4B | 172 BPM | ||
O magnum mysterium | Tomás Luis de Victoria, VOCES8 | A Minor | 0 | 8A | 133 BPM | ||
Messiah / Part 1: "And He shall purify the sons of Levi" | George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 111 BPM | ||
The Sleeping Beauty (Suite), Op. 66a, TH. 234: II. Pas d'action: Rose Adagio | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | E♭ Major | 3 | 5B | 67 BPM | ||
Mass No.6 In G Missa Sti. Nicolai, Hob. XXII No.6 "Nicolaimesse": Kyrie - Allegretto | Joseph Haydn, Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock, The English Concert Choir | D Major | 1 | 10B | 149 BPM | ||
Mid-Winter Songs: No. 2. Like snow | Morten Lauridsen, Leslie De'Ath, Elora Festival Singers, Noel Edison | B Major | 0 | 1B | 130 BPM |
Section: 0.6151876449584961
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