"Hosanna to the son of David" by Thomas Weelkes, Winchester Cathedral Choir, Andrew Lumsden had its release date on June 8, 2010. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Hosanna to the son of David's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 14 in Advent in Winchester "O Come Emmanuel" by Winchester Cathedral Choir, Andrew Lumsden, Sarah Baldock & organist. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Hosanna to the son of David is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hosanna to the son of David by Thomas Weelkes, Winchester Cathedral Choir, Andrew Lumsden is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hymnen, Op. 140: Nr. 3 Eripe me | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 80 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
Deliver Us, O Lord | Thomas Weelkes, The Gents, Peter Dijkstra | C Major | 2 | 8B | 69 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM | ||
Messa a quattro voci, SV 190: III. Credo | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Prima die Lectio prima: VIII. Daleth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 1 | 1A | 72 BPM | ||
Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
Yver, vous n'estes qu'un villain | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | B Major | 0 | 1B | 78 BPM |