"Tallis: Lamentations of Jeremiah 2 - 1. De lamentatione Jeremiae prophetae" by Thomas Tallis, The Tallis Scholars, Peter Phillips had its release date on January 1, 1992. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 53 in the song's album "Thomas Tallis - Lamentations of Jeremiah". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tallis: Lamentations of Jeremiah 2 - 1. De lamentatione Jeremiae prophetae's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tallis: Lamentations of Jeremiah 2 - 1. De lamentatione Jeremiae prophetae by Thomas Tallis, The Tallis Scholars, Peter Phillips having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Let all mortal flesh keep silence (Jesus Christ s'habille en pauvre) | Traditional, The Cambridge Singers, John Scott, John Rutter | D Minor | 0 | 7A | 139 BPM | ||
Missa Assumpta est Maria: Credo | Giovanni Pierluigi da Palestrina, The Sixteen | B♭ Major | 1 | 6B | 134 BPM | ||
Lully, Lulla, Lullay | Philip Stopford, St. Paul's Cathedral Choir, Andrew Carwood | A♭ Major | 1 | 4B | 79 BPM | ||
Byrd: Ne Irascaris, Domine - 2. Civitas Sancti Tui | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 141 BPM | ||
Tallis: Mihi autem nimis | Thomas Tallis, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 111 BPM | ||
Sing lullaby | Herbert Howells, The Cambridge Singers, John Rutter | A Major | 0 | 11B | 169 BPM | ||
Hosanna to the son of David | Thomas Weelkes, Winchester Cathedral Choir, Andrew Lumsden | B Minor | 2 | 10A | 87 BPM | ||
Gelobet seist du, Jesu Christ, BWV 91: V. Aria "Die Armut, so Gott auf sich nimmt" | Johann Sebastian Bach, Dorothee Mields, Philippe Herreweghe, Collegium Vocale Gent, Ingeborg Danz | E♭ Minor | 1 | 2A | 128 BPM | ||
Tu es Petrus | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | E Major | 3 | 12B | 106 BPM | ||
Byrd: Mass for Five Voices - 04. Credo | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Minor | 2 | 1A | 81 BPM |