Johann Sebastian Bach, Dorothee Mields, Philippe Herreweghe, Collegium Vocale Gent, Ingeborg Danz's 'Gelobet seist du, Jesu Christ, BWV 91: V. Aria "Die Armut, so Gott auf sich nimmt"' came out on 2001. Since Gelobet seist du, Jesu Christ, BWV 91: V. Aria "Die Armut, so Gott auf sich nimmt" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 18 in Bach: Leipzig Cantatas (Remastered) by Johann Sebastian Bach, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Gelobet seist du, Jesu Christ, BWV 91: V. Aria "Die Armut, so Gott auf sich nimmt"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gelobet seist du, Jesu Christ, BWV 91: V. Aria "Die Armut, so Gott auf sich nimmt" by Johann Sebastian Bach, Dorothee Mields, Philippe Herreweghe, Collegium Vocale Gent, Ingeborg Danz is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria (Schubert) | Franz Schubert, Angèle Dubeau, Rachel Laurin, Gilbert Patenaude | B♭ Major | 1 | 6B | 58 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": VI. Pastorale ad libitum: Largo | Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra | D Major | 0 | 10B | 136 BPM | ||
What Sweeter Music | John Rutter, City of London Sinfonia, The Cambridge Singers | B Major | 0 | 1B | 89 BPM | ||
Balulalow | Francis Pott, VOCES8 | A♭ Major | 1 | 4B | 71 BPM | ||
Oratorio de Noël, Op. 12: No. 6 Quare fremuerunt gentes | Camille Saint-Saëns, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger Speck | D Major | 2 | 10B | 100 BPM | ||
Jauchzet dem Herrn alle Welt, MWV B 45 "Psalm 100" | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 86 BPM | ||
Charpentier: Messe de minuit pour Noël, H. 9: "Kyrie eleison" | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | C Minor | 1 | 5A | 70 BPM | ||
Concerto grosso in F, Op.6, No.12: 1. Preludio: Adagio | Arcangelo Corelli, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 77 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace - Grave | Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra | D Major | 3 | 10B | 97 BPM | ||
Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes | Wolfgang Amadeus Mozart, Emma Kirkby, Winchester College Quiristers, Winchester Cathedral Choir, Academy of Ancient Music, Christopher Hogwood | F Major | 1 | 7B | 87 BPM |
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