Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra made "Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace - Grave" available on July 15, 2014. With Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace - Grave being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 13 in Corelli: Christmas Concerto / Tartini: Cello Concerto in D Major / Vivaldi: Sinfonia for Strings by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. In terms of popularity, Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace - Grave is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace - Grave by Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Brevis No. 7 In B Major St. Joannis De Deo - Kyrie | Joseph Haydn, Vienna Chamber Orchestra, Vienna State Opera Orchestra, Hans Gillesberger | F♯ Major | 1 | 2B | 115 BPM | ||
A Ceremony Of Carols, Op. 28: There Is No Rose | Benjamin Britten, Sioned Williams, Harry Christophers | B♭ Major | 0 | 6B | 129 BPM | ||
Messiah / Part 1: "And The Glory Of The Lord" | George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 114 BPM | ||
Concerto grosso In G Minor, Op. 6, No. 8, MC 6.8 "Fatto per la Notte di Natale": 3. Vivace | Arcangelo Corelli, Thomas Brandis, Emil Maas, Ottomar Borwitzky, Waldemar Döling, Wolfgang Meyer, Berliner Philharmoniker, Herbert von Karajan | G Major | 6 | 9B | 80 BPM | ||
The Nutcracker, Op. 71: Overture | Ernst Hoffmann, Slovak Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky | B♭ Major | 1 | 6B | 132 BPM | ||
Concerto Grosso in F Minor, Op. 1 No. 8 "Christmas": V. Pastorale | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 181 BPM | ||
The Lamb | John Tavener, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 74 BPM | ||
Il Lado Dei Cigni, Suite dal Balletto Op.20 | Armonie Symphony Orchestra | A Major | 1 | 11B | 144 BPM | ||
Suite d'Abdelazer: or, the moor's revenge: Air II | Henry Purcell, Ensemble Orchestral Harmonia Nova & Didier Bouture, Didier Bouture, Ensemble Orchestral Harmonia Nova | F♯ Minor | 0 | 11A | 83 BPM | ||
Christ lag in Todesbanden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd Schulze | D Major | 2 | 10B | 178 BPM |
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