Johann Sebastian Bach, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd Schulze's 'Christ lag in Todesbanden, BWV 4: I. Sinfonia' came out on 1977. With Christ lag in Todesbanden, BWV 4: I. Sinfonia being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 29 in Bach: Easter Cantatas BWV 4, 31, 66, 134 by Johann Sebastian Bach, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachm Rotzsch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Christ lag in Todesbanden, BWV 4: I. Sinfonia is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christ lag in Todesbanden, BWV 4: I. Sinfonia by Johann Sebastian Bach, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd Schulze is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in F, Op.6, No.12: 1. Preludio: Adagio | Arcangelo Corelli, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 77 BPM | ||
Übers Gebirg Maria geht | Johannes Eccard, Calmus Ensemble | D♭ Major | 0 | 3B | 92 BPM | ||
Ich steh an deiner Krippen hier | Semper Brass Dresden | G Major | 1 | 9B | 62 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | E Minor | 1 | 9A | 119 BPM | ||
Handel - Messiah, K. 572 (Sung in German): Overture | Wolfgang Amadeus Mozart, Donna Brown, Cornelia Kallisch, Roberto Sacca, Alastair Miles, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | F♯ Minor | 0 | 11A | 83 BPM | ||
Brandenburg Concerto No. 1 In F Major, BWV 1046: II. Adagio | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 78 BPM | ||
Canzon Duodecimi Toni A 8 | Semper Brass Dresden | B♭ Major | 1 | 6B | 97 BPM | ||
Corelli : Concerto grosso in G minor Op.6 No.8, 'Fatto per la notte di Natale' [Christmas Concerto] : III Adagio - Allegro - Adagio | Il Giardino Armonico | D Major | 1 | 10B | 76 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": II. Allegro | Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra | C Major | 2 | 8B | 94 BPM | ||
Lobt Gott, ihr Christen | Nicolaus Gotschovius, Mathias Schmutzler, Semper Brass Dresden | G Major | 0 | 9B | 61 BPM |
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