Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra's 'Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": II. Allegro' came out on July 15, 2014. The duration of Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": II. Allegro is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 13 in Corelli: Christmas Concerto / Tartini: Cello Concerto in D Major / Vivaldi: Sinfonia for Strings by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. In terms of popularity, Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": II. Allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": II. Allegro by Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56 / Pt. 1: Symphony | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 114 BPM | ||
Concerto grosso in G minor, Op.6, No.8 "fatto per la notte di Natale": 1. Vivace - Grave | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 74 BPM | ||
The Nutcracker, Ballet Suite, Op. 71a: IV. Russian Dance (Trepak) | South German Philharmonic Orchestra | G Major | 5 | 9B | 86 BPM | ||
12 Concerti grossi, Op. 6, HWV 319-330 / Concerto grosso In E Minor, Op. 6, No. 3, HWV 321: I. Larghetto | George Frideric Handel, Leon Spierer, Emil Maas, Ottomar Borwitzky, Horst Goebel, Edith Picht-Axenfeld, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 0 | 12A | 93 BPM | ||
Messiah / Part 1: "And The Glory Of The Lord" | George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 114 BPM | ||
The Nutcracker Op. 71: The The Sugar-Plum Fairy And The Prince | Zsuzsa Bálint | E Minor | 1 | 9A | 91 BPM | ||
Quatre Motets, Op.10: Ubi caritas et amor | Maurice Duruflé, Choir of New College, Oxford, Edward Higginbottom | E♭ Major | 0 | 5B | 91 BPM | ||
Nun danket alle Gott BWV 386 | Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl | G Major | 3 | 9B | 68 BPM | ||
Wachet auf, ruft uns die Stimme, Cantata BWV 140: No. 1 Chor: "Wachet auf, ruft uns die Stimme" | Johann Sebastian Bach, Anthony Robson, Richard Earle, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 180 BPM | ||
Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | G Major | 1 | 9B | 128 BPM |
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