"Quatre Motets, Op.10: Ubi caritas et amor" by Maurice Duruflé, Choir of New College, Oxford, Edward Higginbottom was released on January 1, 2012. The duration of Quatre Motets, Op.10: Ubi caritas et amor is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Quatre Motets, Op.10: Ubi caritas et amor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Choir of New College, Oxford's "Illumina - Music Of Light" album is number 17 out of 17. In terms of popularity, Quatre Motets, Op.10: Ubi caritas et amor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatre Motets, Op.10: Ubi caritas et amor by Maurice Duruflé, Choir of New College, Oxford, Edward Higginbottom to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Christmas Round | John Tavener, The Temple Church Choir, Stephen Layton | F♯ Minor | 1 | 11A | 89 BPM | ||
Ave Maria | Vienna Boys' Choir | B♭ Major | 0 | 6B | 118 BPM | ||
Ave Maria | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Minor | 1 | 8A | 87 BPM | ||
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No. 1 Chorus: "Jauchzet, frohlocket" | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 135 BPM | ||
O thou who camest from above | Samuel Sebastian Wesley, St. Paul's Cathedral Choir, Malcolm Archer | B♭ Major | 2 | 6B | 89 BPM | ||
Alma redemptoris mater | Giovanni Pierluigi da Palestrina, The King's Singers | C Major | 1 | 8B | 75 BPM | ||
Messiah: Part 1, Rejoice greatly, O daughter of Zion (Air, Soprano) | The Sixteen | A Major | 1 | 11B | 120 BPM | ||
Dormi, Jesu | Kim André Arnesen, Sara Michael, Juliane Dowell, Kantorei, Joel Rinsema | D♭ Major | 0 | 3B | 130 BPM | ||
Comfort Ye My People | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | B Major | 0 | 1B | 86 BPM | ||
Missa Brevis No. 7 In B Major St. Joannis De Deo - Kyrie | Joseph Haydn, Vienna Chamber Orchestra, Vienna State Opera Orchestra, Hans Gillesberger | F♯ Major | 1 | 2B | 115 BPM |
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