"Byrd: Mass for Five Voices - 04. Credo" by William Byrd, Peter Phillips, The Tallis Scholars was released on October 3, 2007. The duration of Byrd: Mass for Five Voices - 04. Credo is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Byrd: Mass for Five Voices - 04. Credo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 67 in the song's album "The Tallis Scholars Sing William Byrd". In this album, this song's track order is #4. Byrd: Mass for Five Voices - 04. Credo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Byrd: Mass for Five Voices - 04. Credo by William Byrd, Peter Phillips, The Tallis Scholars having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
The music key of this track is A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Browne: Stabat Iuxta - 2. In Dolore Tunc Fuisti | John Browne, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 82 BPM | ||
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | ||
Byrd: Mass for Three Voices - 02. Gloria | William Byrd, Peter Phillips, The Tallis Scholars | E♭ Major | 2 | 5B | 98 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | C Minor | 1 | 5A | 129 BPM | ||
Byrd: Mass for Five Voices - 04. Credo | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Minor | 2 | 1A | 81 BPM | ||
Purcell : Hear my prayer, O Lord | Henry Purcell, Edward Higginbottom | C Minor | 1 | 5A | 86 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: III. Graduale - Si ambulem | Jean Richafort, Huelgas Ensemble | A Minor | 2 | 8A | 81 BPM | ||
God is Gone Up | Gerald Finzi, Choir of St. John's College, Cambridge, Andrew Nethsingha | E Major | 2 | 12B | 82 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM |
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