Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti's 'The Sleeping Beauty, Op.66, TH.13 / Act 3: 29. Sarabande' came out on January 1, 1981. The duration of The Sleeping Beauty, Op.66, TH.13 / Act 3: 29. Sarabande is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. The Sleeping Beauty, Op.66, TH.13 / Act 3: 29. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #22. Based on our statistics, The Sleeping Beauty, Op.66, TH.13 / Act 3: 29. Sarabande's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Sleeping Beauty, Op.66, TH.13 / Act 3: 29. Sarabande by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 8 (orch. Gal) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | A Minor | 1 | 8A | 146 BPM | ||
Prologue: Entree Of Don Quixote (Minkus) | Mariinsky Orchestra | G Major | 2 | 9B | 64 BPM | ||
Act I: The Dance Of Espada & Toreros With Cloaks (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 180 BPM | ||
Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Accende lumen sensibus" | Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Netherlands Radio Choir, Prague Philharmonic Chorus, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Sacramentskoor Breda, Royal Concertgebouw Orchestra, Riccardo Chailly | B Major | 1 | 1B | 69 BPM | ||
Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | F Major | 1 | 7B | 81 BPM | ||
Don Quixote: Prologue: Entrance of Don Quixote | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 0 | 8B | 124 BPM | ||
The Snow Maiden, Op. 12: I. Introduction | Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky | C Major | 0 | 8B | 91 BPM | ||
Don Quixote: Act III: March | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E Minor | 2 | 9A | 106 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 3, Variation 2 (Allegro) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | F Major | 1 | 7B | 104 BPM | ||
String Quartet No. 1 in E Minor, "From my life": II. Allegro moderato - A la polka | Bedřich Smetana, Moyzes Quartet | F Minor | 1 | 4A | 91 BPM |
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