"The Snow Maiden, Op. 12: I. Introduction" by Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky was released on November 1, 1997. With this song being about 5 minutes long, at 4:53, "The Snow Maiden, Op. 12: I. Introduction" by Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Tchaikovsky: The Snow Maiden". In this album, this song's track order is #1. In terms of popularity, The Snow Maiden, Op. 12: I. Introduction is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Snow Maiden, Op. 12: I. Introduction by Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pines of Rome, P. 141: 3. The Pines of the Janiculum | Ottorino Respighi, West Australian Symphony Orchestra, Jorge Mester | D♭ Minor | 0 | 12A | 79 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 32: IV. Lento. Maestoso. Solenne | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janacek Philharmonic Orchestra | C Major | 1 | 8B | 77 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene (Allegro - Allegro giusto) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | F Minor | 2 | 4A | 78 BPM | ||
La Bayadère / Act 1: No.8 Moderato con moto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | F Minor | 0 | 4A | 91 BPM | ||
Manfred Symphony, Op. 58, TH.28: 2. Vivace con spirito | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | C Major | 3 | 8B | 96 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 80 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
Act 1: XXI. Love Dance | Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra | B♭ Major | 1 | 6B | 173 BPM | ||
King Christian II Suite, Op. 27: I. Nocturne | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
Mayskaya noch' (May Night): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM |
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