Mariinsky Orchestra made "Act I: The Dance Of Espada & Toreros With Cloaks (Minkus)" available on January 1, 2006. With Act I: The Dance Of Espada & Toreros With Cloaks (Minkus) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mariinsky Orchestra's "Minkus: Don Quixote, Victor Fedotov" album is number 11 out of 53. The popularity of Act I: The Dance Of Espada & Toreros With Cloaks (Minkus) is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Act I: The Dance Of Espada & Toreros With Cloaks (Minkus) by Mariinsky Orchestra to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Puppenfee (The Fairy Doll): No. 11 Harlekin: Allegro | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 3 | 9B | 126 BPM | ||
Piano Concerto in E Major, Op. 59: III. Scherzo: Vivace | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Major | 1 | 11B | 71 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
Die Sirene, Polka Mazur, Op. 248 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Ernst Märzendorfer | D Major | 0 | 10B | 114 BPM | ||
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
The Gadfly Suite, Op. 97a: VI. Galop | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 168 BPM | ||
Scheherazade, Op. 35: The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergei Levitin, Mariinsky Orchestra, Valery Gergiev | F Minor | 1 | 4A | 79 BPM | ||
" Faust " , Ballettmusik: Nr. 5 Moderato con moto | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | A Major | 0 | 11B | 80 BPM |
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