"‘Shadow Walker’ Concerto for Two Violins & Orchestra: II." by Mark-Anthony Turnage, N/A, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel, Vadim Repin, Daniel Hope was released on April 20, 2018. Since ‘Shadow Walker’ Concerto for Two Violins & Orchestra: II. is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Turnage 'Shadow Walker' & Berlioz Symphonie Fantastique". In this album, this song's track order is #2. In terms of popularity, ‘Shadow Walker’ Concerto for Two Violins & Orchestra: II. is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With ‘Shadow Walker’ Concerto for Two Violins & Orchestra: II. by Mark-Anthony Turnage, N/A, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel, Vadim Repin, Daniel Hope having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ebony Concerto: 1. Allegro moderato | Igor Stravinsky, Dimitri Ashkenazy, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | B♭ Major | 3 | 6B | 89 BPM | ||
Shaker Loops (version for string orchestra): Hymning Slews | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 83 BPM | ||
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American" (Arr. for Saxophone Quartet): I. Allegro ma non troppo | Antonín Dvořák, Joaquín Sáez Belmonte, Xavier Larsson Paez, Xabier Casal Ares, José Manuel Bañuls Marcos, Fukio Ensemble | F Major | 1 | 7B | 117 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Turangalîla Symphonie: 7. Turangalîla 2 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D Minor | 1 | 7A | 84 BPM |
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