"Turangalîla Symphonie: 7. Turangalîla 2" by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung was released on January 1, 1991. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre De La Bastille, Myung-Whun Chung's "Messiaen: Turangalîla Symphony" album is number 7 out of 10. Turangalîla Symphonie: 7. Turangalîla 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla Symphonie: 7. Turangalîla 2 by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Etudes de rythme: Ile de feu I (Isle of Fire I) | Olivier Messiaen, Håkon Austbø | E Major | 2 | 12B | 120 BPM | ||
Saint Francois D'Assise / Troisième Acte: il est parti... comme un silence (Frère Léon) | Olivier Messiaen, Urban Malmberg, Hallé, Kent Nagano, Jeanne Loriod | D♭ Major | 1 | 3B | 149 BPM | ||
Saint Francois D'Assise / Troisième Acte: Loué sois-tu, mon Seigneur, pour soeur Mort (Saint Francois, frères Sylvestre, Rufin & Bernard, choeur) | Olivier Messiaen, José van Dam, Akos Banlaky, Dirk D'Ase, Tom Krause, Arnold Schoenberg Chor, Erwin Ortner, Hallé, Kent Nagano, Jeanne Loriod | F Major | 1 | 7B | 144 BPM | ||
Sonata for Violin and Piano No. 1 in F Minor, Op. 80: III. Andante | Sergei Prokofiev, Gidon Kremer, Martha Argerich | G Minor | 4 | 6A | 92 BPM | ||
Dance Symphony: II. Dance of the Girl Who Moves as if in a Dream: Andante moderato | Aaron Copland, Bournemouth Symphony Orchestra, Marin Alsop | G Major | 0 | 9B | 136 BPM | ||
Mutations from Bach | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 92 BPM | ||
Ligeti : Hamburg Concerto : VII Hymnus | György Ligeti, Reinbert de Leeuw | E Major | 0 | 12B | 61 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Bartók: String Quartet No. 4 in C Major, Sz. 91: II. Prestissimo, con sordino | Béla Bartók, Belcea Quartet | F Major | 1 | 7B | 87 BPM | ||
Symphony No.3 in C minor, Op.44: 2. Andante | Sergei Prokofiev, Royal Concertgebouw Orchestra, Riccardo Chailly | A Minor | 0 | 8A | 113 BPM |
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