Vincenzo Bellini, Felice Romani, Sonia Fortunato, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania's 'Il Pirata, Act II: Che rechi tu?' came out on November 19, 2021. With this song being about 5 minutes long, at 4:42, "Il Pirata, Act II: Che rechi tu?" by Vincenzo Bellini, Felice Romani, Sonia Fortunato, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 26 out of 49 in Bellini: Il Pirata by Felice Romani, Vincenzo Bellini, Marina Rebeka, Javier Camarena, Fabrizio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania. The popularity of Il Pirata, Act II: Che rechi tu? is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Pirata, Act II: Che rechi tu? by Vincenzo Bellini, Felice Romani, Sonia Fortunato, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
I Capuleti e i Montecchi: Eccomi in lieta vesta / Act 1: L'amo tanto, e m'e si cara - Live | Vincenzo Bellini, Joseph Calleja, Tiziano Bracci, Robert Gleadow, Wiener Symphoniker, Fabio Luisi, Wiener Singakademie | F Major | 2 | 7B | 75 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
I Capuleti e i Montecchi, Act I: Deh! per pietà t'arresta - Live in Amsterdam, 1966 | Vincenzo Bellini, Giacomo Aragall, Walter Monachesi, Coro del Teatro Comunale di Bologna, Residentie Orkest, Claudio Abbado | D Major | 2 | 10B | 125 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM |
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