"Iii" by Richard Wilson, Misha Amory (viola), James Sedares, New Zealand Symphony Orchestra was released on February 22, 2000. Iii is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. This song is part of Wilson: Symphony No. 1; Viola Sonata; Tribulations; Gnomics by Richard Wilson, Misha Amory (viola), New Zealand Symphony Orchestra, James Sedares. The song's track number on the album is #7 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Iii is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Iii by Richard Wilson, Misha Amory (viola), James Sedares, New Zealand Symphony Orchestra has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Iii being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony, Op. 21: II. Variationen | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | D♭ Major | 0 | 3B | 135 BPM | ||
Variations on a theme of Paganini: Var. 14. Alla giga | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Sospiri, Op. 70 | Sol Gabetta | F Major | 0 | 7B | 74 BPM | ||
Three Rags: Poltergeist (arr. by Hamilton Berry) | William Bolcom, William Bolcom (arranged by Hamilton Berry), Decoda | C Major | 1 | 8B | 95 BPM | ||
Schnittke: Cello Sonata No. 1, Op. 129: I. Largo | Alfred Schnittke, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Walking Through Fear String Quartet+Piano | Jo-Yu Chen, Richard Lin | F Major | 2 | 7B | 121 BPM | ||
Der Schwanendreher - Concerto For Viola & Small Orchestra: 1. "Zwischen Berg und tiefem Tal" | Paul Hindemith, Daniel Benyamini, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 97 BPM | ||
4 Pezzi (Su una nota sola): I. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 87 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM |
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