"Oboe Concerto in D Minor, BWV 1059R: II. Adagio (Alessandro Marcello)" by Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl was released on June 24, 1997. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Oboe Concertos" album is number 8 out of 15. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Oboe Concerto in D Minor, BWV 1059R: II. Adagio (Alessandro Marcello) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oboe Concerto in D Minor, BWV 1059R: II. Adagio (Alessandro Marcello) by Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No.2 in F Minor, Op.21: 2. Larghetto | Frédéric Chopin, Nelson Freire, Gürzenich Orchester Köln, Lionel Bringuier | B♭ Major | 1 | 6B | 85 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 115 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) | Charles Gounod, Pavel Gililov, Mischa Maisky | C Major | 1 | 8B | 89 BPM | ||
Scarlatti, D: Keyboard Sonata in F Minor, Kk. 466 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | ||
Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt | B♭ Major | 1 | 6B | 93 BPM | ||
Matthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | B Minor | 3 | 10A | 81 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Mikhail Rudy, Mariss Jansons, London Philharmonic Orchestra | C Major | 1 | 8B | 68 BPM | ||
Keyboard Concerto No. 4 in A Major, BWV 1055 (Arr. M. Munclinger for Flute and Orchestra): II. Larghetto | Johann Sebastian Bach, Jean-Pierre Rampal, Frantisek Sláma, Frantisek Posta, Josef Hála, Ars Rediviva Orchestra Of Prague, Milan Munclinger | A Minor | 1 | 8A | 167 BPM | ||
Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM |
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