"Orchestral Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1971. With this song being about 5 minutes long, at 5:11, "Orchestral Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Academy of St. Martin in the Fields, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 22 in Bach: Orchestersuiten Nr.1-4 by Johann Sebastian Bach, William Bennett, Thurston Dart, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Orchestral Suite No. 3 in D Major, BWV 1068: II. Air is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orchestral Suite No. 3 in D Major, BWV 1068: II. Air by Johann Sebastian Bach, Academy of St. Martin in the Fields, Sir Neville Marriner is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. for trumpet and organ) | Anonymous, Johann Sebastian Bach, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 131 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | D♭ Major | 1 | 3B | 79 BPM | ||
The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | G Major | 4 | 9B | 152 BPM | ||
Le carnaval des animaux, R. 125: No. 13, Le Cygne | Camille Saint-Saëns, Ross Pople | G Major | 0 | 9B | 109 BPM | ||
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße | Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 1 | 3A | 66 BPM | ||
Violin Concerto in E Major, Op. 8, No. 1, RV 269 "La Primavera": 1. Allegro | Antonio Vivaldi, Simon Standage, The English Concert, Trevor Pinnock | E♭ Major | 1 | 5B | 209 BPM |
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