"Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour"" by Nederica Stepan was released on 2009. The duration of Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" is about 3 minutes long, at 3:28. Based on our data, "Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Restore internal environment (Blood, lymph, tissue fluid, metabolism)". In this album, this song's track order is #1. In terms of popularity, Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" by Nederica Stepan having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Two Waltzes in A Major, Op. 39, No. 15 & Op. 52, No. 6 (Arr. Stephan Koncz) | Johannes Brahms, Andreas Ottensamer, Leonidas Kavakos, Christoph Koncz, Antoine Tamestit, Stephan Koncz, Odon Racz | D Major | 3 | 10B | 102 BPM | ||
Chopin: Polonaise in A-Flat Major, Op. 53 "Heroic" | Frédéric Chopin, Maurizio Pollini | A♭ Major | 2 | 4B | 89 BPM | ||
"Peer Gynt" Suite No.1, Op.46 - 1. Morning mood (with Singing of Birds ) | Nederica Stepan | E Major | 2 | 12B | 99 BPM | ||
Pachelbel: Canon | Johann Pachelbel, I Musici | B Minor | 1 | 10A | 85 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Marisa Robles | D Major | 0 | 10B | 116 BPM | ||
Giselle / Act 2: Apparition de Myrthe et évocation magique | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 187 BPM | ||
Symphony No. 101 in D Major, Hob.I:101 "The Clock": 2. Andante | Joseph Haydn, Royal Concertgebouw Orchestra, Sir Colin Davis | G Major | 1 | 9B | 107 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 135 BPM | ||
Clarinet Concerto No. 2 in F Minor, Op. 5: II. Andante pastorale | Bernhard Henrik Crusell, Martin Fröst, Gothenburg Symphony Orchestra, Okko Kamu | A♭ Major | 0 | 4B | 115 BPM |
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