"Two Waltzes in A Major, Op. 39, No. 15 & Op. 52, No. 6 (Arr. Stephan Koncz)" by Johannes Brahms, Andreas Ottensamer, Leonidas Kavakos, Christoph Koncz, Antoine Tamestit, Stephan Koncz, Odon Racz was released on March 23, 2015. The duration of Two Waltzes in A Major, Op. 39, No. 15 & Op. 52, No. 6 (Arr. Stephan Koncz) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Two Waltzes in A Major, Op. 39, No. 15 & Op. 52, No. 6 (Arr. Stephan Koncz)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 10 in Brahms: The Hungarian Connection by Andreas Ottensamer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Two Waltzes in A Major, Op. 39, No. 15 & Op. 52, No. 6 (Arr. Stephan Koncz) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Two Waltzes in A Major, Op. 39, No. 15 & Op. 52, No. 6 (Arr. Stephan Koncz) by Johannes Brahms, Andreas Ottensamer, Leonidas Kavakos, Christoph Koncz, Antoine Tamestit, Stephan Koncz, Odon Racz is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasy on "Lá ci darem la mano" from Mozart's "Don Giovanni", K.527, for Clarinet & Orchestra | Franz Danzi, Andreas Ottensamer, Kammerakademie Potsdam | B♭ Major | 1 | 6B | 126 BPM | ||
Romantic Pieces, Op.75, for Violin and Piano - Allegro moderato (Dvorák) | James Ehnes | B♭ Major | 1 | 6B | 63 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | E♭ Major | 1 | 5B | 79 BPM | ||
Habanera | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet | A Major | 0 | 11B | 80 BPM | ||
Chopin: Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | E Major | 0 | 12B | 91 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Rodrigo: Fantasía para un gentilhombre: II. Españoleta | Joaquín Rodrigo, Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | A Minor | 0 | 8A | 85 BPM | ||
Viola Sonata in B-Flat Major, Op. 36: II. Barcarolla. Andante con moto | Henri Vieuxtemps, Antoine Tamestit, Cédric Tiberghien | G Minor | 1 | 6A | 65 BPM |
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