"Viola Sonata in B-Flat Major, Op. 36: II. Barcarolla. Andante con moto" by Henri Vieuxtemps, Antoine Tamestit, Cédric Tiberghien was released on February 24, 2017. Since Viola Sonata in B-Flat Major, Op. 36: II. Barcarolla. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 10 in Bel Canto: The Voice of the Viola by Antoine Tamestit, Cédric Tiberghien. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Viola Sonata in B-Flat Major, Op. 36: II. Barcarolla. Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Viola Sonata in B-Flat Major, Op. 36: II. Barcarolla. Andante con moto by Henri Vieuxtemps, Antoine Tamestit, Cédric Tiberghien is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Piano No.1 in F minor, Op.80: 3. Andante | Sergei Prokofiev, Janine Jansen, Itamar Golan | G Major | 1 | 9B | 84 BPM | ||
Carmen fantasie (Version for Violin & Piano) | Franz Waxman, Maxim Vengerov, Irina Vinogradova | D Major | 1 | 10B | 81 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Mazurka No.36 In A Minor Op.59 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A Major | 0 | 11B | 63 BPM | ||
Voix intimes, Op. 45: No. 4, Déception | Henri Vieuxtemps, Vilmos Csikos, Olivier Lechardeur | F Minor | 1 | 4A | 91 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM | ||
Violin Concerto, Op. 48: III. Vivace giocoso | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | A Minor | 2 | 8A | 90 BPM | ||
Paganini: Violin Concerto No. 1 in E-Flat Major, Op. 6: II. Adagio espressivo | Niccolò Paganini, Lawrence Foster, Royal Philharmonic Orchestra | B Minor | 1 | 10A | 108 BPM | ||
Concerto for Violin and Orchestra no.1 in F sharp minor op.14: 3. Rondo. Allegro giocoso | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | F♯ Major | 1 | 2B | 101 BPM |
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