"Sonata for Violin and Piano No.1 in F minor, Op.80: 3. Andante" by Sergei Prokofiev, Janine Jansen, Itamar Golan was released on January 1, 2012. Since Sonata for Violin and Piano No.1 in F minor, Op.80: 3. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Prokofiev". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Sonata for Violin and Piano No.1 in F minor, Op.80: 3. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata for Violin and Piano No.1 in F minor, Op.80: 3. Andante by Sergei Prokofiev, Janine Jansen, Itamar Golan having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schindler's List: Main Theme | John Williams, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | D Minor | 1 | 7A | 68 BPM | ||
Shostakovich: Piano Quintet in G Minor, Op. 57: I. Prelude (Lento) [Live] | Dmitri Shostakovich, Martha Argerich, Alissa Margulis, Lyda Chen, Mischa Maisky, Renaud Capuçon | F Minor | 3 | 4A | 88 BPM | ||
Violin Concerto in D Major, Op. 35: II. Romance | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 3 | 9B | 102 BPM | ||
María De Buenos Aires: Yo soy María (Arr. for Violin and Piano) | Astor Piazzolla, María Dueñas, Itamar Golan | G Minor | 4 | 6A | 81 BPM | ||
Symphony No. 1 in D Major "Titan": Ia. Langsam, schleppend | Gustav Mahler, Leonard Bernstein, New York Philharmonic | D Minor | 0 | 7A | 74 BPM | ||
Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto | Frédéric Chopin, Mitsuko Uchida | B Major | 2 | 1B | 89 BPM | ||
String Quartet No. 2 in F Major, Op. 92: II. Adagio | Sergei Prokofiev, Pacifica Quartet | F Major | 1 | 7B | 148 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | B♭ Major | 3 | 6B | 93 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM |
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