Astor Piazzolla, María Dueñas, Itamar Golan made "María De Buenos Aires: Yo soy María (Arr. for Violin and Piano)" available on July 21, 2023. The duration of María De Buenos Aires: Yo soy María (Arr. for Violin and Piano) is about 3 minutes long, at 3:09. Based on our data, "María De Buenos Aires: Yo soy María (Arr. for Violin and Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 2 in the song's album "Piazzolla: María De Buenos Aires: Yo soy María". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. María De Buenos Aires: Yo soy María (Arr. for Violin and Piano) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With María De Buenos Aires: Yo soy María (Arr. for Violin and Piano) by Astor Piazzolla, María Dueñas, Itamar Golan having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Roumanian Folk Dances, BB 68, Sz. 56: III. Stamping Dance | Béla Bartók, Hélène Grimaud | B Minor | 0 | 10A | 91 BPM | ||
Danzón No. 2 (Transcr. Gómez-Tagle for Piano) | Arturo Márquez, Yuja Wang | A Minor | 2 | 8A | 117 BPM | ||
Concierto de Otoño: III. Conga de flores | Arturo Márquez, Pacho Flores, Orquesta Sinfónica de Minería, Carlos Miguel Prieto | D Major | 2 | 10B | 92 BPM | ||
Nocturne in B Minor, Op. post., Lento con gran espressione (Arr. for Cello and Piano by M. Maisky) | Frédéric Chopin, Camille Thomas, Julien Brocal | B Minor | 1 | 10A | 87 BPM | ||
Serenade, D. 957, No. 4 | Franz Schubert, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Minor | 1 | 7A | 105 BPM | ||
Pequeña Czarda (Arr. Harle) | Pedro Iturralde, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | C Minor | 4 | 5A | 92 BPM | ||
Bachianas brasileiras No. 5: I. Aria (Cantilena): Adagio | Plínio Fernandes, Sheku Kanneh-Mason | E Minor | 2 | 9A | 105 BPM | ||
Flambée montalbanaise (Arrangements pour accordéon et quintette à cordes) | Gus Viseur, Félicien Brut, Quatuor Hermès, édouard Macarez | C Minor | 3 | 5A | 69 BPM | ||
Piazzolla & Troilo : Contrabajeando | Aníbal Troilo, Astor Piazzolla, Daniel Barenboim, Rodolfo Mederos, Héctor Console | D Minor | 1 | 7A | 136 BPM | ||
Quizás, quizás, quizás | Osvaldo Farrés, Miloš Karadaglić, Studioorchester der Europäischen FilmPhilharmonie, Christoph Israel | E Minor | 0 | 9A | 109 BPM |
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