Arturo Márquez, Yuja Wang's 'Danzón No. 2 (Transcr. Gómez-Tagle for Piano)' came out on May 13, 2022. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Márquez: Danzón No. 2 (Transcr. Gómez-Tagle for Piano) [Musical Moments] and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Danzón No. 2 (Transcr. Gómez-Tagle for Piano) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Danzón No. 2 (Transcr. Gómez-Tagle for Piano) by Arturo Márquez, Yuja Wang to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valses pour 2 pianos: Valse lente | Germaine Tailleferre, Edouard Exerjean, Philippe Corre | B Minor | 0 | 10A | 71 BPM | ||
O ma belle rebelle | Charles Gounod, Christian-Pierre La Marca | E Minor | 0 | 9A | 80 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Tango | Fritz Kreisler, Isaac Albéniz, Laurent Korcia | D Major | 1 | 10B | 110 BPM | ||
12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre | E Minor | 1 | 9A | 151 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Andalucía "Suite Espagnole": I. Córdoba | Ernesto Lecuona, Yamilé Cruz Montero | F♯ Major | 1 | 2B | 58 BPM | ||
Eight Concert Studies for Piano, Op. 40: III. Toccatina | Nikolai Kapustin, Yuja Wang | E Minor | 3 | 9A | 137 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM |
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