Enrique Granados, Xavier De Maistre's '12 Danzas Españolas, Op. 37: 5. Andaluza' came out on January 12, 2018. The duration of 12 Danzas Españolas, Op. 37: 5. Andaluza is about 3 minutes long, at 3:29. Based on our data, "12 Danzas Españolas, Op. 37: 5. Andaluza" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Serenata Española". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, 12 Danzas Españolas, Op. 37: 5. Andaluza's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Danzas Españolas, Op. 37: 5. Andaluza by Enrique Granados, Xavier De Maistre having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
2 Pieces for Cello & Orchestra, Op. 20: No. 2, Sérénade espagnole | Alexander Glazunov, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | D Major | 2 | 10B | 99 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
sopra Las Vacas | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | C Major | 1 | 8B | 108 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre | E Minor | 1 | 9A | 151 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Un Dia de Noviembre | Leo Brouwer, Thibault Cauvin | A Minor | 1 | 8A | 97 BPM | ||
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM |
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