"Romantic Pieces, Op.75, for Violin and Piano - Allegro moderato (Dvorák)" by James Ehnes was released on December 6, 2005. The duration of Romantic Pieces, Op.75, for Violin and Piano - Allegro moderato (Dvorák) is about 3 minutes long, at 3:04. Based on our data, "Romantic Pieces, Op.75, for Violin and Piano - Allegro moderato (Dvorák)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Romantic Pieces (Dvorak, Janacek, Smetana)". In this album, this song's track order is #3. Romantic Pieces, Op.75, for Violin and Piano - Allegro moderato (Dvorák) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romantic Pieces, Op.75, for Violin and Piano - Allegro moderato (Dvorák) by James Ehnes having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in G Minor, L. 140: II. Intermede - Fastaque et leger | Claude Debussy, James Ehnes, Andrew Armstrong | E Minor | 1 | 9A | 111 BPM | ||
Caprice No. 8 in E Flat: Maestoso | Niccolò Paganini, James Ehnes | E♭ Major | 1 | 5B | 116 BPM | ||
Violin Sonata in E-Flat, Op. 18: I. Allegro, ma non troppo | Richard Strauss, James Ehnes, Andrew Armstrong | E♭ Major | 1 | 5B | 105 BPM | ||
Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
Concerto for Violin & Orchestra, Op. 14: 2. Andante | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | E Major | 1 | 12B | 84 BPM | ||
Violin Concerto In D Major, Op.35: 1. Moderato nobile | Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn | E Minor | 2 | 9A | 175 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
From the Homeland, Two Pieces for Violin and Piano - Andantino moderato e Allegro vivo (Smetana) | James Ehnes | G Major | 2 | 9B | 177 BPM | ||
Viola Sonata in D Minor: I. Allegro moderato | Mikhail Glinka, Nobuko Imai, Roland Pöntinen | D Minor | 1 | 7A | 125 BPM | ||
Sonata No. 1 in G Minor, Op. 27 No. 1: II. Fugato: molto moderato | Eugène Ysaÿe, James Ehnes | C Minor | 1 | 5A | 55 BPM |
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