"Giselle / Act 2: Apparition de Myrthe et évocation magique" by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge was released on 1987. Since Giselle / Act 2: Apparition de Myrthe et évocation magique is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 34 in Adam: Giselle by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. The popularity of Giselle / Act 2: Apparition de Myrthe et évocation magique is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle / Act 2: Apparition de Myrthe et évocation magique by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Presto (very, very fast), since this song has a tempo of 187 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: Act I: Galop general | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 120 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Raymonda, Act III: Pas Classique Hongrois | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Minor | 0 | 4A | 139 BPM | ||
Massenet: La Vierge, Pt. 4: Le dernier sommeil de la Vierge | Jules Massenet, John Eliot Gardiner, Orchestre National de l'Opéra de Monte-Carlo | A Minor | 5 | 8A | 95 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 131 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Pelléas et Mélisande, Op.80: 2. Andantino quasi Allegretto (La Fileuse) | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 166 BPM | ||
Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM |
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