"The Merry Widow, Act III: "Ja, Das Studium Der Weiber Ist Schwer"" by Franz Lehár, Franz Bauer-Theussl, Vienna Volksoper Orchestra was released on January 1, 2009. The duration of The Merry Widow, Act III: "Ja, Das Studium Der Weiber Ist Schwer" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. The Merry Widow, Act III: "Ja, Das Studium Der Weiber Ist Schwer"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Nicolai: Merry Wives of Windsor Highlights - Lehár: The Merry Widow Highlights". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. The Merry Widow, Act III: "Ja, Das Studium Der Weiber Ist Schwer" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Merry Widow, Act III: "Ja, Das Studium Der Weiber Ist Schwer" by Franz Lehár, Franz Bauer-Theussl, Vienna Volksoper Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballszene | Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis | B Major | 3 | 1B | 98 BPM | ||
Servants' Chorus (Don Pasquale) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | A Major | 1 | 11B | 137 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
Wiener Frauen, Act II: Ein Tambourstab - Live | Franz Lehár, KS Josef Forstner, Marie-Luise Schottleitner, Elisabeth Zeiler, Klára Vincze, Chor des Lehár Festivals Bad Ischl, Matthias Schuppli, Marius Burkert | B Minor | 3 | 10A | 66 BPM | ||
La Vergine degli angeli | Lesley Garrett, Ivor Bolton, Britten Sinfonia | C Major | 2 | 8B | 129 BPM | ||
Don Giovanni, K. 527, Act II Scene 10: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | F Major | 3 | 7B | 112 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Léhar: Die lustige Witwe: "Lippen schweigen" - "Ja, das Schweigen der Weiber ist schwer" | Franz Lehár, Melitta Muszely, Werner Schmidt-Boelcke, Rudolf Schock, FFB-Orchester | G Major | 2 | 9B | 175 BPM | ||
Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 99 BPM |
Section: 0.7806990146636963
End: 0.7843747138977051