"Painted Desert from Grand Canyon Suite" by Ferde Grofé, Celia Nicklin, Michael Laird, Maria Newman, Diane Gold, Various Artists, Irvine Arditti, David Alberman, Levine Andrade, Rohan De Saram, Sir Neville Marriner, Leonard Bernstein, Serge Koussevitzky, Neeme Järvi, Antal Doráti, Lukas Foss, Detroit Symphony Orchestra was released on January 1, 1995. Painted Desert from Grand Canyon Suite is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 12 in the song's album "The Romantic Approach: A Special Collection of 20th Century American Music". In this album, this song's track order is #11. Painted Desert from Grand Canyon Suite is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Painted Desert from Grand Canyon Suite by Ferde Grofé, Celia Nicklin, Michael Laird, Maria Newman, Diane Gold, Various Artists, Irvine Arditti, David Alberman, Levine Andrade, Rohan De Saram, Sir Neville Marriner, Leonard Bernstein, Serge Koussevitzky, Neeme Järvi, Antal Doráti, Lukas Foss, Detroit Symphony Orchestra having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture | Dmitri Shostakovich, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald | C Minor | 3 | 5A | 117 BPM | ||
Masquerade Suite: IV. Romance | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra | B♭ Minor | 2 | 3A | 124 BPM | ||
Five Pictures of the Grand Canyon (1931): Cloudburst | Ferde Grofé, Metropole Orkest, Jan Stulen, Metropole Orchestra | E Major | 2 | 12B | 84 BPM | ||
Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
Metropolis: III. Furioso: Die Versohnung | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | A♭ Major | 2 | 4B | 96 BPM | ||
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Hary Janos Suite: Háry János Suite: II. Viennese Musical Clock | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | B♭ Major | 1 | 6B | 121 BPM | ||
Symphony No. 4 in D Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 144 BPM | ||
Hary Janos Suite: Háry János Suite: VI. Entrance of the Emperor and His Court | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | A♭ Major | 4 | 4B | 130 BPM |
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