"Five Pictures of the Grand Canyon (1931): Cloudburst" by Ferde Grofé, Metropole Orkest, Jan Stulen, Metropole Orchestra was released on May 21, 1998. Since Five Pictures of the Grand Canyon (1931): Cloudburst is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Tabloid Suite - Four Pictures of a Modern Newspaper". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Five Pictures of the Grand Canyon (1931): Cloudburst is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Five Pictures of the Grand Canyon (1931): Cloudburst by Ferde Grofé, Metropole Orkest, Jan Stulen, Metropole Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Trittico botticelliano, P. 151: III. La nascita di Venere: Allegro moderato | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | D♭ Minor | 2 | 12A | 121 BPM | ||
The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 2 | 8B | 115 BPM | ||
Grand Canyon Suite: II. The Painted Desert | Ferde Grofé, Seattle Symphony Orchestra, Gerard Schwarz | B Minor | 0 | 10A | 78 BPM | ||
Concerto in 3 Rhythms (arr. F. Grofe): I. Fox Trot: Allegro ma non troppo | Dana Suesse, Ferde Grofé, Michael Gurt, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | C Major | 2 | 8B | 142 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Introduction - Lent - Très modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B Minor | 0 | 10A | 92 BPM | ||
Consolation | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | G Major | 3 | 9B | 99 BPM | ||
A Hampshire Suite, Op. 28, No. 2 | Gustav Holst, Munich Symphony Orchestra, Douglas Bostock | F Major | 1 | 7B | 135 BPM |
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