Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek's 'Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto' came out on August 2, 2001. Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Rimsky-Korsakov: Capriccio Espagnol, Scheherazade". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Czechia. In terms of popularity, Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto by Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | ||
Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | E Major | 0 | 12B | 67 BPM | ||
Rimsky-Korsakov : Capriccio espagnol Op.34 : II Variazioni | Nikolai Rimsky-Korsakov, Kurt Masur, New York Philharmonic | F Major | 0 | 7B | 163 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Duke's Command - Interlude | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 3 | 7B | 125 BPM | ||
Violin Concerto "Violin Concerto No. 2" in E Minor, Op. 64, IFM 196: II. Andante | Felix Mendelssohn, New York Philharmonic, Jascha Heifetz, Guido Cantelli | C Major | 2 | 8B | 103 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Concerto for Violin and Orchestra in D Major, Op. 35: III. Finale. Allegro vivacissimo | Isaac Stern | D Major | 2 | 10B | 83 BPM | ||
Boss Convinces Charley | Michael Kamen, Czech Philharmonic Orchestra | A Major | 1 | 11B | 80 BPM | ||
Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 91 BPM |
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