Capella Cracoviensis's 'Magnificat a 12' came out on February 10, 2022. Magnificat a 12 is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in Capella Cracoviensis's "Mikołaj Zieleński et consortes" album is number 12 out of 12. On top of that, Poland appears to be the country where this track was created. In terms of popularity, Magnificat a 12 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat a 12 by Capella Cracoviensis to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offertoria totius anni: Feria secunda Paschae: Angelus Domini Descendit | Mikołaj Zieleński, Collegium Zielenski, Capella Cracoviensis, Stanisław Gałoński | C Major | 2 | 8B | 84 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: V. Fecit potentiam | Carl Philipp Emanuel Bach, Geraint Jones, Thomas Hemsley, Geraint Jones Orchestra | E Major | 1 | 12B | 147 BPM | ||
Concerto For Harpsichord, Strings & Continuo In E Major, BWV 1053, 2 Mov: Siciliano | Johann Sebastian Bach, Marcin Masecki, Jan Tomasz Adamus, Capella Cracoviensis | D♭ Minor | 1 | 12A | 90 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Il Giustino, RV 717, Act I, Scene 4: Misero è ben colui che dopo nato (Giustino) | Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou | B♭ Major | 0 | 6B | 74 BPM | ||
Germanico in Germania / Act 1: "Serba costante il core" | Nicola Porpora, Mary-Ellen Nesi, Capella Cracoviensis, Jan Tomasz Adamus | E Major | 4 | 12B | 81 BPM | ||
Provenzale: Lo schiavo di sua moglie: "Non posso far" (Lucillo) | Francesco Provenzale, Lea Desandre, jupiter_BRKN, Thomas Dunford | D♭ Major | 3 | 3B | 136 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM | ||
La divisione del mondo: "Lumi, potete piangere" - Aria | Giovanni Legrenzi, Les Furiosi Galantes, Luan Góes | E♭ Minor | 1 | 2A | 111 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Che disse? Che ascoltai?" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | E♭ Minor | 3 | 2A | 113 BPM |
Section: 0.7445633411407471
End: 0.7490725517272949