Nicola Porpora, Mary-Ellen Nesi, Capella Cracoviensis, Jan Tomasz Adamus made "Germanico in Germania / Act 1: "Serba costante il core"" available on November 3, 2017. With this song being about 5 minutes long, at 5:11, "Germanico in Germania / Act 1: "Serba costante il core"" by Nicola Porpora, Mary-Ellen Nesi, Capella Cracoviensis, Jan Tomasz Adamus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #5. Germanico in Germania / Act 1: "Serba costante il core" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Germanico in Germania / Act 1: "Serba costante il core" by Nicola Porpora, Mary-Ellen Nesi, Capella Cracoviensis, Jan Tomasz Adamus having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sosarme, HWV 30: Act II, Duetto, "Per le porte del tormento" | George Frideric Handel, Bejun Mehta, Rosemary Joshua, René Jacobs | E♭ Major | 2 | 5B | 84 BPM | ||
Porpora: Semiramide riconosciuta, Act II: "Tradita, sprezzata" (Semiramide) | Nicola Porpora, Nathalie Stutzmann, Orfeo 55 | E♭ Minor | 4 | 2A | 101 BPM | ||
Polifemo, HelN 31: Alto Giove - Arr. for Voice & Piano | Nicola Porpora, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 71 BPM | ||
Rinaldo, HWV 7a / Act 1: "Cara sposa, amante cara" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | E♭ Minor | 2 | 2A | 114 BPM | ||
Frescobaldi: Arie musicali, Libro 1: No. 16, Aria di Passacaglia. "Così mi disprezzate?" | Girolamo Frescobaldi, Jakub Józef Orliński, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
Polifemo: Aria: Morirei del partir nel momento - Aci | Nicola Porpora, Yuriy Mynenko, George Petrou, Armonia Atenea | A♭ Minor | 1 | 1A | 133 BPM | ||
Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | ||
Mass in B Minor, BWV 232: Agnus Dei (Alto) | Johann Sebastian Bach, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 1 | 5B | 126 BPM | ||
Juditha Triumphans, RV 644, Pt. 1: Veni, me sequere fida | Antonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis, Magdalena Kozená | A Minor | 2 | 8A | 127 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM |
Section: 0.5934674739837646
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