"Concerto for Cello & Wind Band: II. Idylle" by Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz was released on January 30, 2009. Since Concerto for Cello & Wind Band: II. Idylle is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Schumann: Cello Concerto, Op. 129 - Tchaikovsky: Rococo Variations - F. Gulda: Cello Concerto". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Switzerland. Concerto for Cello & Wind Band: II. Idylle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Cello & Wind Band: II. Idylle by Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An die Musik, D. 547 (Op. 88/4) | Franz Schubert, Mischa Maisky, Daria Hovora | C Major | 0 | 8B | 126 BPM | ||
Cello Concerto in A minor, op. 129: Cello Concerto in A minor, op. 129: I. Nicht zu schnell | Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado | A Minor | 0 | 8A | 119 BPM | ||
3 Compositions, Op. 40 (version for cello and piano): Berceuse | Amy Beach, Steven Isserlis, Stephen Hough | D Major | 0 | 10B | 168 BPM | ||
Pezzo capriccioso for Cello and Orchestra, Op. 62 | Pyotr Ilyich Tchaikovsky, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec | B Minor | 1 | 10A | 74 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 114 BPM | ||
Schönberg: Verklärte Nacht, O. 4: III. Breiter | Arnold Schoenberg, Quatuor Ébène, Antoine Tamestit, Nicolas Altstaedt | E Major | 5 | 12B | 72 BPM | ||
Schönberg: Verklärte Nacht, Op. 4: V. Sehr breit und langsam | Arnold Schoenberg, Quatuor Ébène, Antoine Tamestit, Nicolas Altstaedt | D Major | 2 | 10B | 147 BPM | ||
Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM |
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