"Cello Concerto in A minor, op. 129: Cello Concerto in A minor, op. 129: I. Nicht zu schnell" by Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado was released on April 1, 2016. Cello Concerto in A minor, op. 129: Cello Concerto in A minor, op. 129: I. Nicht zu schnell appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Schumann: Cello Concerto". In this album, this song's track order is #1. In terms of popularity, Cello Concerto in A minor, op. 129: Cello Concerto in A minor, op. 129: I. Nicht zu schnell is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto in A minor, op. 129: Cello Concerto in A minor, op. 129: I. Nicht zu schnell by Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatine, M. 40: 2. Mouvement de menuet | Maurice Ravel, Martha Argerich | D♭ Major | 0 | 3B | 123 BPM | ||
Cello Concerto in G Major, RV 414: II. Largo | Antonio Vivaldi, Christophe Coin, Il Giardino Armonico, Giovanni Antonini | D Major | 1 | 10B | 114 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | A Minor | 1 | 8A | 82 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Sonata in A Major, Op. 17: No. 5: I. Allegro | Johann Christian Bach, See Siang Wong | F♯ Minor | 2 | 11A | 65 BPM | ||
Spanische Liebeslieder, Op. 138: 2. Tief im Herzen trag' ich Pein | Robert Schumann, Emanuel Geibel, Sibylla Rubens, Gerold Huber, James Cheung | G Minor | 0 | 6A | 72 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Emmanuelle Bertrand, Luzerner Sinfonieorchester, James Gaffigan | F Major | 1 | 7B | 131 BPM | ||
Schumann: Piano Quintet in E-Flat Major, Op. 44: IV. Allegro, ma non troppo | Robert Schumann, Christian Zacharias | A Major | 1 | 11B | 87 BPM | ||
Cello Concerto in A Major, Wq.172: III. Allegro assai | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | D♭ Minor | 2 | 12A | 77 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM |
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