"Pezzo capriccioso for Cello and Orchestra, Op. 62" by Pyotr Ilyich Tchaikovsky, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec was released on September 25, 2012. Since Pezzo capriccioso for Cello and Orchestra, Op. 62 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Saint-Saëns & Tchaikovsky". In this album, this song's track order is #13. Pezzo capriccioso for Cello and Orchestra, Op. 62 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pezzo capriccioso for Cello and Orchestra, Op. 62 by Pyotr Ilyich Tchaikovsky, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Cello Concerto No. 1, Op. 33: Tempo I | Camille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Truls Mørk | F Major | 0 | 7B | 75 BPM | ||
Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
Menuet antique (version for orchestra) | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | F♯ Major | 0 | 2B | 65 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Capriccio espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 3 | 11B | 127 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Morceaux de Fantasie, Op.3: No.1 Elegie | Sergei Rachmaninoff, Vladimir Ashkenazy | E♭ Minor | 0 | 2A | 133 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Piano Trio in A minor, M. 67: 2. Pantoum (Assez vif) | Maurice Ravel, Itzhak Perlman, Lynn Harrell, Vladimir Ashkenazy | C Major | 1 | 8B | 86 BPM |
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