"Chants d'Auvergne, Vol. 1: No. 1. Jou L'pount D'o Mirabel (On Mirabel Bridge)" by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus was released on November 1, 2004. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 21 in Canteloube: Chants D'Auvergne by Joseph Canteloube, Véronique Gens, Jean-Claude Casadesus. In terms of popularity, Chants d'Auvergne, Vol. 1: No. 1. Jou L'pount D'o Mirabel (On Mirabel Bridge) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chants d'Auvergne, Vol. 1: No. 1. Jou L'pount D'o Mirabel (On Mirabel Bridge) by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus | César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp | A Major | 0 | 11B | 89 BPM | ||
La traviata / Act 1: Prelude | Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine | D Minor | 0 | 7A | 137 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | E♭ Major | 1 | 5B | 83 BPM | ||
Requiem | Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Geoffrey Simon | A Minor | 1 | 8A | 60 BPM | ||
Albinoni / Giazotto : The Beatitudes (Adagio) | Tomaso Albinoni, Edward Higginbottom, Capricorn, Choir of New College, Oxford | C Minor | 2 | 5A | 95 BPM | ||
Nabucco / Act 3: "Va, pensiero, sull'ali dorate" | Giuseppe Verdi, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | G Minor | 2 | 6A | 79 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Mélodies: Nuit d'etoiles | Claude Debussy, Xavier De Maistre | E♭ Major | 0 | 5B | 76 BPM | ||
Après Un Rêve Opus 7/1 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM |
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