"Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio)" by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner was released on December 20, 2001. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 18 in Elgar: In the South; Enigma Variations by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner. Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Kol Nidrei, Op. 47 | Max Bruch, Jacqueline du Pré, Daniel Barenboim, Israel Philharmonic Orchestra | D Minor | 2 | 7A | 82 BPM | ||
Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 101 BPM | ||
Manon Lescaut: Intermezzo | Giacomo Puccini, Valery Gergiev, Wiener Philharmoniker | A Major | 2 | 11B | 136 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Vremena goda (the Seasons), Op. 67: Autumn. Petit Adagio [1] | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A Major | 0 | 11B | 81 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM |
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