"Sisask : Magnificat : VI Fecit potentiam" by Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann was released on April 4, 1994. The duration of Sisask : Magnificat : VI Fecit potentiam is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Sisask : Magnificat : VI Fecit potentiam's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Urmas Sisask : Gloria Patri..., Magnificat". In this album, this song's track order is #30. Sisask : Magnificat : VI Fecit potentiam is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sisask : Magnificat : VI Fecit potentiam by Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Minor | 0 | 4A | 83 BPM | ||
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : XVII Dominus vobiscum | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 109 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Biafra | Alex Baranowski, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | B♭ Minor | 0 | 3A | 74 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Caledonian Market (Excerpts): No. 6, Musical Box | Irène Wieniawska, Jan Philip Schulze | D Major | 0 | 10B | 92 BPM |
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