Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor's 'La serva padrona, intermezzo secondo: Recitativo' came out on 2010. The duration of La serva padrona, intermezzo secondo: Recitativo is about 3 minutes long, at 3:19. Based on our data, "La serva padrona, intermezzo secondo: Recitativo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Pergolesi : La serva padrona". In this album, this song's track order is #11. Based on our statistics, La serva padrona, intermezzo secondo: Recitativo's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With La serva padrona, intermezzo secondo: Recitativo by Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
Stabat Mater, P. 77: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Sara Mingardo, Rachel Harnisch, Orchestra Mozart, Claudio Abbado | F Minor | 1 | 4A | 92 BPM | ||
Bononcini: La Nemica d'Amore fatta amante, Pt. 1: Sinfonia | Giovanni Bononcini, Maxim Emelyanychev, Il Pomo D'oro | F♯ Minor | 2 | 11A | 138 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
12 Sonatas of III parts Z790-801: Sonata No. 1 in G minor Z790 | Henry Purcell, Pavlo Besnosiuk, Rachel Podger, Christophe Coin, Christopher Hogwood | F♯ Minor | 1 | 11A | 137 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
Miserere in C minor: Misere I | Thomas Hengelbrock | B Minor | 2 | 10A | 94 BPM | ||
Stabat Mater, P. 77: I. Stabat Mater dolorosa (Grave) | Giovanni Battista Pergolesi, Núria Rial, Carlos Mena, Ricercar Consort, Philippe Pierlot | E Minor | 1 | 9A | 85 BPM |
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