"Bononcini: La Nemica d'Amore fatta amante, Pt. 1: Sinfonia" by Giovanni Bononcini, Maxim Emelyanychev, Il Pomo D'oro was released on November 8, 2019. The duration of Bononcini: La Nemica d'Amore fatta amante, Pt. 1: Sinfonia is about 3 minutes long, at 3:14. Based on our data, "Bononcini: La Nemica d'Amore fatta amante, Pt. 1: Sinfonia" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 18 in Facce d'amore by Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro. Based on our statistics, Bononcini: La Nemica d'Amore fatta amante, Pt. 1: Sinfonia's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bononcini: La Nemica d'Amore fatta amante, Pt. 1: Sinfonia by Giovanni Bononcini, Maxim Emelyanychev, Il Pomo D'oro is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Heinichen: Alma Redemptoris Mater, S. 22: II. "Tu quae genuisti" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 1 | 12A | 67 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Serse, HWV 40 / Act 1: "Io le dirò che l'amo - Tu le dirai che l'ami" | George Frideric Handel, Franco Fagioli, Vivica Genaux, Il Pomo D'oro, Maxim Emelyanychev | F♯ Major | 3 | 2B | 94 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Żebrowski: Magnificat: II. Quia respexit | Marcin Józef Żebrowski, Jakub Józef Orliński, Jan Tomasz Adamus, Capella Cracoviensis | E♭ Major | 1 | 5B | 80 BPM |
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