Engelbert Humperdinck, Staatskapelle Dresden, Otmar Suitner, Ingeborg Springer, Renate Hoff's 'Hansel und Gretel: Act III Scene 2: Wie duftet's von dorten' came out on 1971. With Hansel und Gretel: Act III Scene 2: Wie duftet's von dorten being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Engelbert Humperdinck, Staatskapelle Dresden, Otmar Suitner, Dresden Kreuzchor's "Humperdinck: Hansel und Gretel (Opera)" album is number 16 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Hansel und Gretel: Act III Scene 2: Wie duftet's von dorten is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hansel und Gretel: Act III Scene 2: Wie duftet's von dorten by Engelbert Humperdinck, Staatskapelle Dresden, Otmar Suitner, Ingeborg Springer, Renate Hoff to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hansel & Gretel, Act II: A dwarf stood in the forest (Gretel, Hansel) | Engelbert Humperdinck, Sir Charles Mackerras, Philharmonic Orchestra, Jennifer Larmore, Rebecca Evans | B♭ Major | 2 | 6B | 100 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | ||
Act 1: Scene Two: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | B♭ Major | 1 | 6B | 67 BPM | ||
3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 128 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Relaxing Sounds | Sergei Rachmaninoff, Wolfram Schmitt-Leonardy, Janacek Philharmonic Orchestra, Theodore Kuchar | B Major | 2 | 1B | 92 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |
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