"Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version)" by Aaron Copland, Minnesota Orchestra, Sir Neville Marriner was released on May 24, 2024. The duration of Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) is about 3 minutes long, at 3:24. Based on our data, "Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 13 in Copland: Appalachian Spring, Four Dance Episodes from Rodeo & El Salon México by Aaron Copland, Sir Neville Marriner, Minnesota Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) by Aaron Copland, Minnesota Orchestra, Sir Neville Marriner is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Samson et Dalila, Op. 47: Act II: Prelude | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Symphony No. 4 in A Minor, Op. 63: IV. Allegro | Jean Sibelius, Gothenburg Symphony Orchestra, Santtu-Matias Rouvali | D♭ Minor | 1 | 12A | 88 BPM | ||
In a Lonely Place | Cho Young-Wuk | G Major | 2 | 9B | 174 BPM | ||
3 American Pieces (Version for Violin & Orchestra): No. 1, Early Song | Lukas Foss, Nikki Chooi, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Moonlight Sonata, Op. 27 No. 2 (Ludwig Van Beethoven) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 2. Larghetto | Sergei Prokofiev, No Borders Orchestra, Premil Petrovic | E Major | 0 | 12B | 76 BPM | ||
Amour... amour... (Version for Orchestra) | Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | G Major | 1 | 9B | 99 BPM | ||
Six Canonic Studies, Op. 56: No. 1, Con moto egual’e dolce (Arr. for Orchestra by Robin Holloway) | Johannes Brahms, BBC Symphony Orchestra, Paul Mann | C Major | 0 | 8B | 126 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
Oration, Concerto elegiaco, H. 180: II. Allegro | Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Major | 0 | 8B | 81 BPM |
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