Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen made "Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt)" available on March 22, 2024. With Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leighton Pugh's "Great Composers in Words & Music: Robert Schumann" album is number 36 out of 36. On top of that, Hong Kong appears to be the country where this track was created. Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) by Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Major, Kk. 427 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Nightingales Sing In Berkeley Square | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
Sonata No. 5 in E Minor, RV 40: I. Largo | Ashima Scripp, Eleanor Perrone | F Major | 1 | 7B | 135 BPM | ||
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
4 Songs, Op. 13: No. 3. Sure on this shining night (arr. for cello and piano) | Anonymous , Samuel Barber, Zuill Bailey, Lara Downes | E Minor | 1 | 9A | 87 BPM | ||
天鹅 - 大提琴曲 | 马新桦, 冯丹 | G Major | 0 | 9B | 90 BPM | ||
Epilogue | Rebecca Clarke, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Im Walde, Op. 50 (arr. P. Breiner for orchestra): III. Andacht (Devotion) | David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson | E♭ Major | 0 | 5B | 80 BPM | ||
Voces intimae, Op. 56: II. Vivace (Arr. string orchestra) | Australian Chamber Orchestra, Richard Tognetti | E♭ Major | 2 | 5B | 74 BPM |
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