"4 Songs, Op. 13: No. 3. Sure on this shining night (arr. for cello and piano)" by Anonymous , Samuel Barber, Zuill Bailey, Lara Downes was released on April 1, 2014. The duration of 4 Songs, Op. 13: No. 3. Sure on this shining night (arr. for cello and piano) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. 4 Songs, Op. 13: No. 3. Sure on this shining night (arr. for cello and piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Some Other Time". In this album, this song's track order is #7. 4 Songs, Op. 13: No. 3. Sure on this shining night (arr. for cello and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Songs, Op. 13: No. 3. Sure on this shining night (arr. for cello and piano) by Anonymous , Samuel Barber, Zuill Bailey, Lara Downes having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Leonard Slatkin, St. Louis Symphony | B Minor | 1 | 10A | 134 BPM | ||
Berceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | B♭ Major | 0 | 6B | 68 BPM | ||
4 Songs, Op. 13: No. 3. Sure on this shining night (arr. for cello and piano) | Anonymous , Samuel Barber, Zuill Bailey, Lara Downes | E Minor | 1 | 9A | 87 BPM | ||
Le carnaval des animaux, R. 125: XIII. The Swan (Arr. for Viola & Piano) | Camille Saint-Saëns, Megumi Ozawa, Mika Yamamoto | B♭ Major | 0 | 6B | 99 BPM | ||
African Suite: V. Akinla | Fela Sowande, Menuhin School Senior Orchestra, Otis Enokido-Lineham | A Major | 2 | 11B | 59 BPM | ||
4 Short Pieces, Op. 6: No. 1, Prelude. Non troppo allegro | Howard Ferguson, John Finucane, Elisaveta Blumina | A Minor | 0 | 8A | 51 BPM | ||
シューマン:トロイメライ | Robert Schumann, Emiri Miyamoto | F Minor | 2 | 4A | 95 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Symphony No. 1, Op. 9: Andante tranquillo | Samuel Barber, National Orchestral Institute Philharmonic, James Ross | E Minor | 1 | 9A | 96 BPM |
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