"Cello Sonata No. 4 in C Major, Op. 102, No. 1: I. Andante" by Ludwig van Beethoven, Guido Schiefen, Alfredo Perl was released on August 25, 2009. The duration of Cello Sonata No. 4 in C Major, Op. 102, No. 1: I. Andante is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Cello Sonata No. 4 in C Major, Op. 102, No. 1: I. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 20 in Beethoven, L. Van: Cello Sonatas Nos. 1-5 / Horn Sonata, Op. 17 (Arr. for Cello and Piano) by Ludwig van Beethoven, Alfredo Perl. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Cello Sonata No. 4 in C Major, Op. 102, No. 1: I. Andante is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Sonata No. 4 in C Major, Op. 102, No. 1: I. Andante by Ludwig van Beethoven, Guido Schiefen, Alfredo Perl is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): II. Adagio | Franz Joseph Haydn, Trio Gaspard | F♯ Major | 0 | 2B | 82 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
French Suite No.2 in C minor, BWV 813: 5a. Menuet I | Johann Sebastian Bach, András Schiff | E♭ Major | 1 | 5B | 70 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM |
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