"Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): II. Adagio" by Franz Joseph Haydn, Trio Gaspard was released on July 15, 2022. The duration of Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): II. Adagio is about 3 minutes long, at 3:26. Based on our data, "Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): II. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franz Joseph Haydn, Trio Gaspard's "Haydn: Complete Piano Trios, Vol. 1 - Fischer: one bar wonder" album is number 8 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): II. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): II. Adagio by Franz Joseph Haydn, Trio Gaspard to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Keyboard Sonata in E-Flat Major, F. 5: II. Largo | Wilhelm Friedemann Bach, Anthony Spiri | C Minor | 0 | 5A | 113 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
Nocturne No.18 In E, Op.62 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Minor | 0 | 12A | 73 BPM |
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